re-issue of the 1996 album from john parish and pj harvey. pressed on 180 gram vinyl

al pagoda, ursprünglich aus valencia, spanien, ließ sich 2015 in berlin nieder, wo er als komponist für filmmusik begann. in diesen jahren experimentierte er mit neuen sounds und aufnahmetechniken. 2018 bat ihn ein kollege, der einige seiner freiform-experimentiersitzungen miterlebt hatte, bei loophole, einem kleinen verein in neukölln, berlin, zu spielen. er akzeptierte und kam mit ein paar liedern für die show. danach würde das album in kürzester zeit kristallisieren.

the first longplayer from oliver ho’s project slow white fall.

ignez induces a collective oceanic feeling.

long awaited tunes from imanu aka signal on grey marbled vinyl. comes with download code.

limited repress on marbled vinyl. huge debut release by asquith on a very special self-released white label. with the lobster theremin boss having flexed his production muscle on previous releases as tom hang and chicago flotation device, this sees the seasoned british talent step out from behind the veil and lay down a seriously stomping bassline-driven garage-house a-side backed by a summery terrace-slaying mix of the aptly titled “the conditioning track”.

great detroit inspired tracks

kez ist ein mysteriöser, aber sehr produktiver musiker aus cornwall, dessen umfangreiches material fast vollständig unveröffentlicht ist. er stieg aus der asche des punks auf und 1979 experimentierte er bereits mit 17 jahren mit der mischung zahlreicher musikformen und verdrehter elektronik.

pressing on black vinyl, comes with download code included.

irene dresel’s debut album on double vinyl.

a new blockhead album on white vinyl.

ltd violet edition - 2018 reissue du 40th anniversary of mute. apparat have also released via infine music, bpitch control, k7 records, shitkatapult ...

dischi autunno present romantic fiction the long awaited debut album from curses featuring perel & jennifer cardini on vocals.

since efficient space excavated andy rantzens mind-bending will i dream? the rest of the world has become better acquainted with the darker & dubbier side of one of australias rave superstars. were excited to present a selection of tracks from andys incredibly diverse oeuvre, 6 songs that sit somewhere between 80s digital reggae, 90s rave and the horizon of our accelerating future. lifting the veil speeds up snappy drum programming and a thundering bassline to breakneck speeds, pitting them against sombre chords and strings, perfectly capturing the reflective headspace of a night drive through babylon. cosmic vibrations harks back to the development of fully computerised rhythms emanating from jammy and tubbys waterhouse studios, by way of erskineville. in the same vein, bedtime for boo boo sees andy joined on the boards by sydney dub technician sheriff lindo, creating a dynamic digi-dub number that is sure to come alive on any soundsystem worth its weight - a heady showcase for two of australia’s finest reggae talents. flip the disc to find move it, the most concentrated dose of the jungle vibes that permeate the ep. rantzen channels the headrush sonics, breakneck drums and euphoria of d n bs heydey, nailing the red-eyed early am atmosphere of a sydney warehouse ca. 95 - and its just as likely to cap off the night of many a secret inner west location to come. magic lantern marries a dreamy synthesizer melody with a wicked, subby bassline. if there was a dancehall scene in ferngully, this wouldve been the soundtrack, with enough low end to really rattle the treetops. on closer dub generator, a slightly-creepy mechanized voice urges you to “leave your worries at the door come and join your friends upon the floor - an introduction to the dancefloor or an induction into some sinister cult? whatever the message, the dub chords and massive bassline lull you into the headspace where these words take hold. all songs recorded at masking tapes, liquid blue and 1/66 enmore rd, 1997-2000.

robotron is the machine formerly known as xinner. this is its first offering for the esp institute. side as dream resonator is an idiosyncratic network dexterous machine drum/percussion programming, an ebb and flow of floating arpeggios, syncopated counter-melodies and a hail of stabbing stringscontinually diffusing into ethereal vapor all stacked into an (aptly-named) orchestral anthem. side bs ice takes a similar approach with arrangement, each instrument carving out its place in the tracks mechanics for a glorious convergence of patterns, but, where side a proves optimistic, here we sense a more menacing undercurrent, an austerity powerfully articulated through towering kicks and claps so compressed they fill up every dark corner of negative space. indeed, robotron has an innate command for building and calibrating robust systems, but beneath this calculated veil we find the remnant human behavior of xinner. these two songs will whisper loudly but scream quietly.

verdant recordings continues its quest to provide a space for lesser-known artists exploring the deepest pockets of electronic music, not least around the 4/4 axis. next up on the label is the first public appearance from interjection, a london-based artist who has been cooking up an immersive sound for some time. her blissful solitude is a smoky deep house cut that drifts through heavy clouds of pads, while common places drops some brittle electro rhythms into the mix without lifting the veil of ambience. radiating soul has an equally intricate set of rhythms at work, with extra notes of 303 sprinkled over the top, and her nocturnal note finishes the ep off with a shimmering trip out to complement the a1.

patricia koketts sound is shrouded in a veil of mysticism. the brainchild of lithuanian gediminas jakubka, diabel’s metallic heartbeat underlies a magical superstructure that evokes some kind of dmt infused trip. or possibly even some kind of ancient ritual, where one is intoxicated by serpents blood. guided by repetitive drum patterns, it creates a slow joint dance that opens the path towards transcendence.

jeff beck ist eine wahre legende. angefangen mit den yardbirds in den 60er jahren, gefolgt von der jeff beck group, bis hin zu seiner solo- karriere. sein einzigartiger gitarrenstil und sein ehrgeiz, immer neue musikalische wege zu gehen, sowie neue sounds auszuprobieren, haben ihm viel bewunderung bei musikerkollegen und fans eingebracht. im jahre 2007 hat jeff beck eine reihe von konzerten im bekannten „ronny scott’s“ club gegeben und jedes dieser konzerte war ausverkauft. die cd- und dvd-veröffentlichungen dieser konzerte sind zu den ultimativen jeff beck live-aufnahmen geworden. zum ersten mal wird das konzert auf 2-cd und 3-lp veröffentlicht und enthält dabei alle songs von dem konzert, auch die songs mit gastauftritten von eric clapton, imogen heap, joss stone und ein sieben songs umfassendes set mit den big town playboys.

his first ep «a crack in the eyes» won over 5 million listeners and opened the door to collaborations with kraak & smaak, parcels, and zimmer. after going through various formations as a musician, but also by many projects managed as a record engineer, fhin lifts the veil on a universe oscillating between pop, trip-hop and future music.

if youre familiar with public release’s sibling, face, a series of parties, you’ll already know that jee day, né dennis mcnany, has been in the bay area label’s orbit for some time as half of the dfa act museum of love, he joined the inner circle years ago. here, with amot herga laxy, he makes his bold debut on public release itself. the single begins with “crocodile tears,” an abstract, impressionistic tapestry of african rhythms, meditative synth washes, vangelis-esque horns and pads. it recedes and jee day plunges deeper into the jungle with communication masterbation, a propulsive number built around a psychedelic, droney bass that’s wrapped with gritty, distorted effects and layers of topline keyboard licks stacked high. a raw club track cut from transcendentalist cloth thatll lift you off the dance floor. the b-side is a dub of communication masterbation, with an emphasis being placed on pulling out, unraveling, extending the rhythmic elements and emphasizing the electronic veil the piece is shrouded in. a trancey, menacing sprawl that could be an extended sonic youth live jam if they swapped their stringed instruments for roland and korg gear and dusted the whole thing in an unknown psychoactive slime.

untilmyheartstops makes a welcome return to the fray with this sublime four-tracker from emergent swedish producer martinou, previously found sneaking around the sewer sender label. as is customary with umhs releases, the conventions of house and techno are masked by a veil of mystery, where billowing pads and crooked rhythms dig past common or garden variety club tracks to offer something more sublime. from the slender, shimmering unaware to the weighty thrum of excessive, surely and on to the delicately poised i dont wanna wanna feel, martinou proves himself to be entirely in tune with the hidden depths of the label

scandroid kehrt mit dem würdigen nachfolge-longplayer monochrome zurück. mit 13 tracks, von den retro-synthpop hooks auf »afterglow,« »rendezvous,« »future bloodline,« und »a thousand years,« zu den instrumentalen epen »oblivia,« »searching for a lost horizon,« und »the force theme,« malt monochrome eine alternative zukunft aus, in der die wahrheit in »monochrome« verborgen liegt.
das album enthält ein modernes synthwave cover von michael jackson’s »thriller«, das vorab, zwei wochen vor dem album, erscheinen wird. das album selbst wird mit einem bonus remix von »thriller« vom mysteriösen synthwave künstler/produzenten pylot abgeschlossen.
erscheint als graues doppel-vinyl im klappcover.

under his guises blessed initiative and ketev, as well as his own name, composer and sound artist yair elazar glotman has explored extended techniques and processes to forge new sonic textures and musical forms. compound picks up where the previous solo work under glotman’s own name - 2015’s Études - left off. the acoustic sound palette has now expanded from solo contrabass into a trio including pianist rieko okuda and percussionist marcello silvio busato.

million brazilians formed in portland, oregon in 2006. founding members grant corum and suzanne stone have been central to the band since its inception, while a rotating line-up backs them depending on the latest vision for the sound. tip! the band carry out their own interpretation of a genre bending ethos that has evolved throughout the american underground. drifting between boundless compositions, focused energetic improvisations and experimental collaborations that embrace a weird sort of transcendence. their next installment red rose and obsidian was recorded in maine and engineered by big blood’s caleb mulkerin. both he and the band deliver a powerful yet fragile and personal release. the mythical and evocative recordings are inspired by maine s rugged coastlines, mournful ripples of sound wash up on the shore, whilst a lonesome, at times harrowing saxophone drifts through the rolling mountains, providing unsettling melodic interludes. electronic treatments veil organic sounds, a fleeting whistle meets spontaneously with spacey flutes, mutated rock rhythms are topped off with the soaring vocals of suzanne stone who leads the listeners into the magical world of the million brazilians.

the latest crimes of the future comes from dimitri distant and lvrin, two emergent artists with a penchant for pitch black grooves steeped in the kind of acidic, wavey styles that cotf are consistently striking gold with. -blasphemy- is a powerful slice of reductionist acid that uses a bare minimum of elements to create a sinister atmosphere to strike fear into the hearts of unwitting dancers. -dead sunday- is no slouch in the creepy department either, its clattering beats and bubbly acid line straining against a tape-stretched backdrop of synthesizer malaise. -achromatic- switches stance to slow, undead electro soaked in embalming fluid and filtered through a b-movie veil for maximum guttural impact.

there’s a delicacy to the performances by toxe—not a fragile delicacy, but the kind you’d associate with an olympic rhythmic gymnast, whose twirls only seem light and graceful because of the immense muscular power behind them. “ - fader toxe’s horizons are very wide - she has deconstructed britney spears in -xic- for halcyon veil and with ‘still life’ (co-produced with mechatok) she caught the atttention of kenzo who used it as a score to their fw 2016 prints’ presentation and she has also performed alongside arca. toxe exhibits her relentless creativity as she edits and produces her own videos designs her visuals, exhibiting her relentless creativity which has lead to the excitement for the upcoming audio visual collaboration. the work, ‘morning story’, was created in collaboration with artist niclas hille. released on limited edition vinyl and also digitally in may 2017. the swedish musician crafts some of the most stomach-churning music productions, innovative drum patterns and lovelorn melodies in the scene. her debut ep ‘muscle memory’ was released on staycore in october 2015. on the five tracks of this release she clashed boulder-heavy rhythms against intricate details painting a picture very human and emotional, developing a very distinctive sound. the artist concluded 2016 with her first ever south-american tour. more recently, toxe played at berlin s ctm festival and meetfactory in prague. the swedish experimentalist has just been announced for a gucci x club to club night in milan, best kept secret and wiener festwochen s new hyperreality festival.

having dropped a tasty teaser a couple of weeks ago, black sun empire fulfil their promise of delivering a brand new long player album project entitled “the wrong room” that is sure to get pulses racing.
the 4 track double vinyl includes a code for download of the full 14 tracl album.

180gr pressing, ltd 2x12 inch brown vinyl
incl mp3 dl,
incl 16 page booklet
full, unedited and uncensored concert at folsom prison

mannequin records is proud to present an archival collection from the what could be considered the genesis of orphx s unique sound. inspired by early industrial music and new waves of noise from japan and europe, the compilation is gathers together some of the best material from their first two cassette releases along with previously unreleased tracks recovered from the original 4 track tapes. tip!

elvis costello presents old and new songs in a unique big-band orchestra setting – recorded live at north sea jazz festival – here is his first rock ’n’ jazz album! originally released in 2006, this release is now available on vinyl for the very first time. pressing on blue coloured 180 gram vinyl with download code included.

new years deal - , fresh from guesting on the debut powell lp sport (xl recordings), and having released on labels such as the tapeworm, entracte, and halcyon veil, dale cornish now presents clap - four rhythmic experiments that explore the mesmeric tones of the digital clap using the ever-popular tr909 clap pre-set. sharing similarities in intention with n.m.os as strict as possible approach, pieces subtly evolve and mutate around the clap to generate motion, tension and action. oolovka takes an unashamedly joyous look at the clap, where melodic repetition whirls and whirls until it takes on a form of mesmerising minimalism – perhaps taking its cues from a modern take on steve reichs ‘music for 18 musicians’ as a backdrop for the clap to playfully roll over and mutate into a sound which is both refreshingly light hearted yet steeped in rhythmic experimentation. cxema takes us a into a tenser, more claustrophobic space where a heads down pulse keeps the body locked until the fog is occasionally broken and the tension momentarily cleared via delayed claps and familiar sonar tones. this vibe continues into isolate with cornish upping the anxiety by using the clap as a foreboding menace. coming across like an inspired soundtrack to a military performance piece the concern appears to revolve around strict precision and strict movement and how the clap can be used to enforce and heighten this functional display. before encore winds things down by stripping things back to the bare minimum for movement – a single effected clap gradually layers and layers itself to create pleasingly odd high tension atmospherics solely through a meticulous process of delicate rhythm and repetition.

plant43 aka emile facey returns to cpu with his second ep for the sheffield imprint, and brings more of his ultra-refined electro to the table. surgical pads, robotic x0x beats and melodic basslines fuse the tracks into faceys signature science-lab machine funk. facey has been very busy since his last outing on cpu back in 2013, with an lp on shipwrec, and ep s on semantica, ac records and frustrated funk. he is showing no sign of slowing down and weightless in the void pushes his sound even further into the future

john frusciantes foregrow doesnt sound like any acid test record, or any record, thats come before it. after the unlikely alliance between the los angeles label and the iconoclastic venice, ca musician on trickfinger, all bets are off. this one’s truly a passage through night. foregrow is a lurching, lysergic beauty which offers glimpses of his platinum pop instincts, but only behind the veil of true experimentalism.

after an impressive debut in early 2015, the boys behind the soviet veil have slow-cooked another frothy sampling of off-kilter edits from the motherland (or somewhere). never mind the long pause between releases, the tenacious attention to detail shows on all four jams. this is one to pick up if you re a serious club dj or not, really.

originally released in a limited edition of 500 copies in 1982 monoton’s second album ‘monotonprodukt 07’ is now a collector item and also one of the most important album of all-time. it has been voted one of the 100 best records by highly influential uk magazine the wire. monoton was founded in 1979 by hypermedia wizard konrad becker as an art project that underwent various transformations and collaborations in its exploration of psycho-active sound. a pioneer in experimental electronic music, becker continued to break new ground in electronic media. monotonprodukt 07 has been reissued on vinyl by desire (and is still available as a double picture-discs limited to 500 copies. it’s the first time ever that tracks from the album are remixed and desire is proud to had such great artists/producers as us prositutes, svengalighost with fellow partner and l.i.e.s. boss and hospital productions artist ron morelli. the last remix is the work of great mancunian duo rainer veil (modern love). an incredible remix package that do justice to this classic album ! mastered by matt colton at alchemy.

for their first release of 2016 nous disques takes up where they last left off with another impeccably crafted release, courtesy of the l.a. based producer dreams, who serves up 5 tracks of gritty goodness on his off the grid ep.

rsd 2016 itemn - must not be asold before 16.4.2016. j ohn frusciantes foregrow doesnt sound like any acid test record, or any record, thats come before it. after the unlikely alliance between the los angeles label and the iconoclastic venice, ca musician on trickfinger, all bets are off. this ones truly a passage through night. frusciante’s using elements of john carpenters eternal scores, the drum programming dna of jungle and footwork, and yes, a roland tb-303, all slowed down to a crawl. foregrow is a lurching, lysergic beauty which offers glimpses of his platinum pop instincts, but only behind the veil of true experimentalism.

shortly after his first ep on dnuos ytivil, sub-division of bristol imprint livity sound, simo cell, neo-parisian and nantes native, puts his second release out on fragil musique. on this one, the young producer asserts his bass-tainted electro influences. highly skilled and very technical dj, but above all open to bridges between genres and eras, the record feels like he conceived it for his own club usage. on the a side, two subtle twin tracks, -reading rashid- and -soko ban-. cycling melodies and hypnotic pads sketch two bass outlines, as simple as effective, that seem perfectly fit for switching from a stripped down techno track to an old jungle weapon. on the flip, hit track -meteor racer- is surprising. a rawer and more stripped down electro piece that lifts the veil a bit more on the young producers talent. those four brilliantly crafted track definitely place simo cell among the french newcomers to watch closely.

knapp zwei jahre nach seinem stark vom sampling beeinflussten album *years not living* legt panagiotis melidis aka larry gus mit einem deutlichen fokus auf das songwriting nach. beeinflusst haben dürften diese entwicklung auch private veränderungen, wie die geburt seines ersten kindes. die lp-version erscheint als limitiertes (1000 stück weltweit) vinyl in roter farbe.

like any good techno producer, moscow electronic producer harry light envelops his stage image by a veil of mystery, preferring to communicate with his audience exclusively through the music. its more than enough in his case. harry lights music is artsy and ascetic. theres nothing superfluous and it sounds extremely good, the louder the better revealing its great potential. regarding harrys stylistic range, it extends from well recognized german techno and minimalistic deep house to dub and deep techno. it also can be easily read by the label names where harrys music being released. theres anton kubikovs iconic label pro-tez, highway records sub-label whats in the box and trendy young imprint electronica. important addition to this list will be a release on kiev vinyl label artreform. on this new release titled resistance harry light has managed to show all the best sides of his eclectic sound.

welcome to the 3rd vinyl release of local sound network. label owner, ryuji takeuchi, is on duty to drop this superb ep. ryuji represents 2 off beat techno tracks with spectacular atmosphere, whereas, 2 remixes emphasize straight 4/4 rhythm patterns with even wider feeling.

man of mystery, a sagittariun, may not be the first, nor the last, in a long lineage of techno producers to go undercover and under a veil of anonymity, but the west country artist doesnt use this cloak to stir up any hype, quite simply the music does the talking, and since 2011, has released a breath taking selection of music on his own elastic dreams label. and so the archer lands on hypeltd after only one other foray onto labels other than his own (2014s lost cities ep for secretsundaze).

as part of longstanding no wave duo naked on the vague, murky girl group knitted abyss and extraterrestrial drone project half high, lucy phelan has been a critical force in the sydney diy scene for over 10 years. under the solo veil of lucy cliche, she annihilates with these four wavey techno tracks that honour her noise and punk ethos. with pounding drum sequences, draining synths and emotionless vocals echoing cosey fanni tutti, her dark dreams sabotage our calculations of modern dance while demonstrating how physicality and the ethereal can interact.

soft gamma repeater finds graze continuing to develop and refine their singular voice, enmeshing a tough percussive edge with the rich textures of dance music at its deepest. but it doesn t take many listens to realize that soft gamma repeater is also their fullest and most accomplished effort to date, as well as their most cohesive. limited 3x 12 inch!!

after years of toiling behind a paper thin veil of obscurity c powers is finally starting to burst into view. having just finished handling production duties for recent houndstooth signees 18+, c powers continues to demonstrate his sonic versatility with the *up neck* ep (cgi007), his proper cgi debut.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
not one to overstate the obvious, the disco scene is fairly obsessed with the cosmos. whiskey disco #31, offers four more reasons to space dance! hristo sets course for the stars with x-otic love, an unhinged and epic ride from funky start to euphoric end. next up is enigmatic editor, satisfaction, love & passions edit, dance (dance, dance), a cut sent to us under the veil of night with no return address. for the return, we cruise towards home with detroits rising star, pontchartrain as he guides us through some lesser known italo-influenced, synth heavy and floor packing reworks, be my lover + dance with me.

its been over half a year since youand:themachines album behind first saw the light of night. now its time to presents a nice remix package with some of the favourite artists of martin.

*** achtung tape (cassete) , kein vinyl!! ***
its been over half a year since youand:themachines album behind first saw the light of night. now its time to presents a nice remix package with some of the favourite artists of martin.